MAEVE LYNCH

  • HOME
  • ABOUT
  • GROUP SHOWS
    • 2022 >
      • Kinship Project
    • 2019 >
      • Objects in the Mirror are Closer than they Appear
      • In The Offing
    • 2018 >
      • GUEST APPEARANCE
      • Oh Everywhere There’s Gladness
    • 2017 >
      • Soft Ground
      • DPI
    • 2016 >
      • Tweetbox
      • Rosebud
    • 2015 >
      • Silver 2
    • 2014 >
      • The Twoness of Things
      • The Artist's Book
      • MATERIAL WORLD
      • SHADOWS
    • 2013 >
      • CIRCULATION
      • LEGACY
    • 2012 >
      • IRISH EXAMINER COMMISSION
      • DEGREE SHOW
    • 2011 >
      • HOURS
  • SOLO SHOWS
    • SITE ASSEMBLY
  • CURATION
    • An Alternative Geography to Curating: Talking Piigs
    • Kerry Contemporary
    • The Mind is the Screen
    • The Infinite Line - A Search for the Unknown
    • Art in the Making
  • PROJECTS
    • Postal Project
    • Moving Still
    • ROSC: A FICTION OF THE CONTEMPORARY
  • PRESS/REVIEWS
  • HOME
  • ABOUT
  • GROUP SHOWS
    • 2022 >
      • Kinship Project
    • 2019 >
      • Objects in the Mirror are Closer than they Appear
      • In The Offing
    • 2018 >
      • GUEST APPEARANCE
      • Oh Everywhere There’s Gladness
    • 2017 >
      • Soft Ground
      • DPI
    • 2016 >
      • Tweetbox
      • Rosebud
    • 2015 >
      • Silver 2
    • 2014 >
      • The Twoness of Things
      • The Artist's Book
      • MATERIAL WORLD
      • SHADOWS
    • 2013 >
      • CIRCULATION
      • LEGACY
    • 2012 >
      • IRISH EXAMINER COMMISSION
      • DEGREE SHOW
    • 2011 >
      • HOURS
  • SOLO SHOWS
    • SITE ASSEMBLY
  • CURATION
    • An Alternative Geography to Curating: Talking Piigs
    • Kerry Contemporary
    • The Mind is the Screen
    • The Infinite Line - A Search for the Unknown
    • Art in the Making
  • PROJECTS
    • Postal Project
    • Moving Still
    • ROSC: A FICTION OF THE CONTEMPORARY
  • PRESS/REVIEWS

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