MAEVE LYNCH

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    • Moving Still
    • ROSC: A FICTION OF THE CONTEMPORARY
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  • HOME
  • ABOUT
  • GROUP SHOWS
    • 2019 >
      • Objects in the Mirror are Closer than they Appear
      • In The Offing
    • 2018 >
      • GUEST APPEARANCE
      • Oh Everywhere There’s Gladness
    • 2017 >
      • Soft Ground
      • DPI
    • 2016 >
      • Tweetbox
      • Rosebud
    • 2015 >
      • Silver 2
    • 2014 >
      • The Twoness of Things
      • The Artist's Book
      • MATERIAL WORLD
      • SHADOWS
    • 2013 >
      • CIRCULATION
      • LEGACY
    • 2012 >
      • IRISH EXAMINER COMMISSION
      • DEGREE SHOW
    • 2011 >
      • HOURS
  • SOLO SHOWS
    • SITE ASSEMBLY
  • CURATION
    • An Alternative Geography to Curating: Talking Piigs
    • Kerry Contemporary
    • The Mind is the Screen
    • The Infinite Line - A Search for the Unknown
    • Art in the Making
  • PROJECTS
    • Moving Still
    • ROSC: A FICTION OF THE CONTEMPORARY
  • PRESS/REVIEWS
  • CONTACT
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Rosebud

Rosebud
14 to 30 January 2016
Opening hours 12 to 6pm, Tuesday to Saturday


21 January at 6pm
A specially produced edition of The Fold accompanying the exhibition will be launched. This event will also include performance by Philip Napier and a reading by Sue Rainsford.


Curated by Alison Pilkington and Cora Cummins (The Fold), Rosebud invites artists to respond to the idea of proclamations and manifestos and the power of the printed publication. Whilst it can be argued that the medium of print is rapidly in decline artists continue to find exciting and diverse ways to exploit its potential for dissemination of ideas. Engaging with ideas of both the personal and the political, artists have utilised a wide variety of mediums including printed matter, tapestry, banners, zines and performance. Rosebud includes artists Michelle Boyle, Janine Davidson, Mary A. Fitzgerald and Emma Finucane, Cathy Henderson and Robert Ballagh, Sophie Carroll Hunt, Mo Levy, Maeve Lynch, Philip Napier, Marcus Oakley, Sarah Pierce, Sue Rainsford and Lee Welch.

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